I've been tinkering with electronics ever since I was a kid - starting with taking apart and putting back together televisions and radios. I always got them back together again and working. I took courses in radio and electronics as a teenager, and became a ham radio operator. I worked in my high school's stage crew, running sound, lights, and a movie projector. After college, I joined a rock 'n roll band as the soundman and learned how to lug around and operate the gear that helps make music sound good and loud.Working in a music store in Austin, Texas, I spent a few years manufacturing, installing, repairing, and operating sound systems.

Sep 12, 2019  50+ videos Play all Mix - Mackie ProFX v3 Mixers Overview YouTube 2020: How To Set Up A Mixer for A Podcast Mix Minus Mixer Setup - Duration: 28:25.

Our customers were recording studios, nightclubs, and touring bands. Eventually I moved back to Charlottesville, Virginia and opened a small demo recording studio. In 2006, I finally came to my senses and got this job at Crutchfield.

They actually pay me to ramble on, rant, and explain the things I love about music, electronics, and getting good sound.Given my background, they put me to work writing about some of the most complex electronic products Crutchfield sells: car amplifiers, digital signal processors, wiring, professional sound mixers, and PA systems. Experience helps build a better mixerMackie brings over forty years of experience to the design table with their second upgrade of their popular ProFX Series mixers.

The ProFX8v2 8-channel mixer comes packed with all the input and output features you need for live sound production, along with onboard effects that allow you to retire that outboard gear and still be able to add some space and nuance to a mix. Low-noise mic preampsThe ProFX8v2 uses four Mackie Vita™ microphone preamps, each featuring a virtually noiseless Class A design, made specifically for live sound. Each mic input also features a low-cut filter to help remove the unwanted rumble and bleed of a live stage mix. Effects onboardMackie's ReadyFX™ effects processor includes 16 performance-tested reverb, delay, and chorus effects to color the sound just the way you like it.

You can plug in an optional footswitch so a player could activate or defeat an effect from the stage. You can assign a 7-band graphic equalizer to either the main stereo mix or the monitor mix, so you'll have control over the front-of-house tone or any feedback issues in your monitor mix. Connects to computer with USBIntegrated USB connectivity makes 2-track digital recording and playback simple. For recording, the ProFX8v2 comes with Tracktion® music production software, but it'll also work with almost any DAW software. For playback, you can stream music directly from your laptop during breaks, for instance. A “Break” button mutes all mic and line inputs so you can play music through the PA while the band's off stage, without any unexpected noises coming from live channels. FeaturesOverview: The Mackie ProFX8v2 is a professional8-channel compact mixer with four mic preamps and a USB interface.The Mackie ProFXv2 series mixers includes a new ReadyFX effects engine thatinstantly delivers your choice of 16 effects.

In addition, the ProFX8v2 offers60mm faders, 3-band equalization for each input, and a stereo 7-band Graphic EQfor the main or monitor mix. The mixer features a solid steel chassis withrugged ABS side panels. Included with the mixer is easy-to-use Tracktionrecording software (via free download).Main Inputs: The ProFX8v2 offers the following main inputs:. Vita Mic Preamps (Ch.

1-4): Mackie's all-new Vitamicrophone preamps are designed for live sound with higher fidelity andtremendous headroom. Bioinformatics software for mac. Channels 1-4 are equipped with female XLR connectorsthat will accept balanced mic or line level inputs from almost any type ofsource. The mic inputs feature 48-volt phantom power from a single 2-wayswitch. Mono Line Inputs (Ch. 1-2): In addition to female XLRs,both channel 1 and 2 inputs have 1/4' jacks that will accept line levelsignals from balanced or unbalanced sources. These 1/4' jacks sharecircuitry, but not phantom power with the mic preamps. Line/Hi-Z Input (Ch.

1 only): The channel 1 1/4' inputfeatures a Line/Hi-Z switch that allows you to connect a guitar to the inputwithout a DI box. With the switch pressed in, the input impedance isoptimized for direct connection.

In the out position, channel 1's 1/4' inputbecomes a line input like channel 2. Stereo Line Inputs (Ch. 3/4, 5/6, 7/8): This pair of 1/4' jacks may bedriven by stereo or mono balanced or unbalanced sources. They may be used withjust about any professional or semi-pro instrument, effect, or tape player.

Ifyou are connecting a mono source, you should use the left (mono) input, andthe mono signals will appear on both sides of the main mix. The level forthe stereo line inputs is adjusted with a single potentiometer. Inserts: On channels 1 and 2, single 1/4' inputsare provided for connecting serial effects processors, such as compressors,equalizers, de-essers, or filters. The signal can go out of the insert jackto the external device, be processed, and come back in on the same insertjack. (The insert cable must be wired as follows: Tip=Send, Ring=Return,Sleeve=Common Ground.)Setting Gain: Each input channel has a gain knob that letsyou adjust the input sensitivity. Nearly every level control on the mixerfeatures a 'U' symbol to indicate 'Unity Gain,' or no change in the signallevel.

For line-level signals, you can adjust the input sensitivity between-20dB and +30dB. For mic signals (from the XLR connectors), the range ofadjustment is 0dB to +50dB.

Level Set LEDs are provided to let you know if anyof the channels are distorting. A low-cut switch on channels 1, 2, 3/4, and 5/6cuts bass frequencies below 100 Hz at a slope of 18dB per octave. On the stereochannels (7&8), the range of gain control is -20dB to +20dB, with no Level SetLEDs or Low-Cut Switch.3-Band Equalization: Each of the inputs has 3-bandequalization, with 'low shelving' at 80Hz, peaking mids at 2.5kHz, and 'highshelving' at 12kHz. Shelving means the circuitry boosts or cuts all frequenciespast the specified frequency.

EQ knobs are provided for Channel 1, Channel 2,and Channels 3/4, 5/6, and 7/8 together, and provide 15dB of boost or cut at80Hz, 2.5kHz, and 12kHz. The 'U' symbol indicates the center position (UnityGain) where there is no change in the signal level.USB Input/Output: On the mixer's rear panel, the Type B USB2x2 interface allows you to record two streams from the mixer, or input stereoplayback from a computer. A USB input level control (0dB-20dB) and a USB Thruswitch are provided.Tape In/Out: The ProFX8v2 offers both Tape Inputs andOutputs. The stereo unbalanced RCA inputs allows you to connect a CD or MP3player or other line-level source. The level of the input signal can becontrolled with a separate Tape Level knob.

The stereo unbalanced RCA outputslet you record the main stereo mix onto a hard disk recorder or automatic CDburner.Main Meters: The mixer's main peak meters include twocolumns of 12 LEDs, with three colors to indicate signal level ranges: green(-30dB to +3dB), yellow (+6 to +15), and red (+20 OL).Main & Headphone Outputs: The ProFX8v2 analog mixer is fitted withXLR and 1/4' main outputs, as well as a 1/4' headphone output:. Main XLR Outputs: Two male XLR connectors on themixer's real panel provide a balanced line-level signal at the end of themixer chain. This fully mixed stereo signal can be sent to your main poweramplifiers, powered speakers, or a serial effects processor. Main 1/4'Outputs: Two 1/4' connectors providebalanced or unbalanced stereo line-levelsignals from the main mix for connecting to inputs ofyour powered speakers, main power amplifier, or to the next device in the signalchain, such as an external processor.This is the same signal that appears at the XLR Main outputs, but are 6dBlower. Headphone Output: A single 1/4' TRS jack supplies theoutput to a pair of stereo headphones.

It is the same signal that is sent tothe main and tape outputs. A separate volume control knob is provided.Pan/Balance: The ProFX8v2 allows you to adjust how much ofthe channel signal is sent to the left vs. The right outputs. When the knob isrotated fully left, the signal feeds the main left output.

With the knob pannedhard right, the signal feeds the main right output. The pan control has aConstant Loudness design which increases or decreases the signal when panning tomaintain the same apparent loudness.

Channels 7/8 have a Balance Control,similar to the Pan control of the other channels.Stereo Returns: Two 1/4' jacks are provided as stereo (aux)returns for balanced or unbalanced signals. They allow the stereo processedoutput from an external effects processors or other devices to be added to themain mix. The level of the incoming signal can be adjusted with the StereoReturn (ST RTN) fader. These inputs can also be used to add any stereoline-level source to the main mix.Internal Effects: The powerful new ReadyFX effects engineuses a floating-point DSP to deliver 16 effects that can be used to enhance anyperformance. A rotary dial and 2-digit numeric display let you choose betweenthe following effects. Bright Room5. Delay 1 (Fast)2.

Warm Lounge6. Concert Hall10. Chorus + Reverb14.

Delay 2 (Medium)3. Small Stage7. Plate Reverb11. Delay 3 (Slow)4. Warm Theater8.

Pan DelayAux Monitor/FX Sends: The ProFX8v2 features Aux Monitor andAux FX Sends:. Aux Monitor Send: Stage monitors allow the musician to hear themselvesclearly on stage. The monitor mix may be carefully adjusted in level using theAux Mon controls on Channels 1, 2, 3/4, 5/6, and 7/8. These tap a portion of each channel's signal to provide a 1/4'TRS output to feed external stage monitors. The controls are off when fullyturned down, deliver unity gain (no change in level) at the center detent,and provides up to 15dB of gain when fully turned up. FX Send: The Aux FX knobs tap a portion of eachchannel's signal to provide a FX mix feeding the internal FX processor, andto feed an external FX processor via the FX Send 1/4' connector. Thecontrols are off when fully turned down, deliver unity gain (no change inlevel) at the center detent, and provides up to 15dB of gain when fullyturned up.

Effects are added to the main mix by increasing the level of the'FX to Main' knob. You can also add FX to the monitor mix by adjusting the'FX to Mon' knob. FX Footswitch: A 1/4' TRS connector is provided forconnecting a one-button, on/off footswitch to mute or un-mute the internaleffects.Graphic Equalizer: The ProFX8v2 offers a 7-Band Graphic EQfor the left/right main mix or for the monitors. The EQ affects the line-leveloutputs, but not the headphone or tape outputs. It can be bypassed at the pressof a button, if needed. Each slider lets you adjust the level of its frequencyband with up to 15dB of boost or cut.

The center detent indicates no change inlevel (0 dB). The frequency bands are: 125Hz, 250Hz, 500Hz, 1kHz, 2kHz, 4kHz,and 8kHz.Applications: The Mackie ProFX8v2 is great for Live sound mixing, housesof worship, clubs, gyms, banquet halls, conference and board rooms, studio andfield recording, video post-production, multimedia applications, broadcast, andmany more.